All Dirt Roads Taste of Salt

Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.

Homebody

A filmographic essay featuring lines from "Bonedog" by Eva H.D. A pathos on memory, travelogue consciousness and the divets remaindered from environmental displacement.

Tears in Rain

Digital images decomposing in rain-like effects. A visual poem, trying to capture the poetics of a cinematic rain shower into the structure of its images. Still images from the 1982 science fiction film noir classic Blade Runner become animated, a frozen memory of two lovers is washed away in time.

O Abissal

Downtown

A girl comes to the city for studying for the first time.

Migajas

Fed up with surviving on social crumbs, he takes a surreal flight to find a hidden truth. In a dull world, we need color, but what if this colorful idealization turns against you?

Regard Silence

“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.

FALL

Cuboland

circles

a haiku films, a poem by Nha Thuyen

Monks

A haiku film poem. the early morning waiting for the monks. the voices. the fire. the wat drum.

And the King Said, What a Fantastic Machine

From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.

Mudpuppy

A reflection on loss and nature’s quiet observance in a small nook of the Ozarks. 

LIVESTOCK

Compiled from stock footage, Livestock is a visual poem exploring the digital, physical and metaphysical synergy of the modern workplace.

Obscura

While working with wet plate collodion Ruhter came up with an idea to show the world the beauty of these objects in a size that was deemed impossible. This led him and the Silver & Light Team to a forgotten town on the edge of the Salton Sea called Bombay Beach, located in California’s Imperial Valley. The idea was to create a camera out of an abandoned house. The structure would serve as the framework for the camera. Instead of focusing on the decay from the outside, this house camera allowed a view from the inside into someone’s dream. Once the giant lens was placed on the front of the house, images of Ted, a 100 year old resident who recently found himself homeless, were projected in, breathing new life into this abandoned structure and once again making it a home. During this brief moment in time when Ted’s photograph was captured, he was present in both places. In reality, he was homeless in the outside world.

Luz

As a prayer, a character exhausted by her own life desperately calls out to something with no name as a last resource for help in her existence. Through the analogy of a lamp that slowly turns on as if answering her request, let there be "light".

Batida

Sitting Idle

Sitting Idle (2021) is a meandering, meditative visual poem that follows the life of a nameless character over the course of a year - as he traverses across the country, meeting and living with friends along the way. Luke Olutunmogun presents an unconventional plot-free narrative that acts as a visual longitudinal study and diary - exploring feelings of loneliness, alienation, and jadedness amid the death throes of a decaying urban landscape.

Bodies of Desire

Using Varsha Panikar's poetry series by the same name, it follows the journey of a poet as they rediscover love, passion, and identity after encountering their muse.

De Wind