The Art of Liminal Spaces

Liminal Spaces are the subject of a modern internet aesthetic portraying empty or abandoned places that appear eerie, forlorn, and often surreal. Directors such as Stanley Kubrick, Andrei Tarkovsky and David Lynch had mastered the art of liminal spaces, long before it became an internet aesthetic. This documentary aims to explore and demystify the strangely familiar world of liminal spaces.

Downtown

A girl comes to the city for studying for the first time.

Regard Silence

“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.

NOCLIP

Two filmmakers set out on an adventure into a creepy old mall, only to find themselves lost in an increasingly claustrophobic maze of hallways, liminal spaces, stairwells and backrooms in this comedic found footage horror film.

I Saw the TV Glow

Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Ellis Dee

During an acid drought, a young woman finds a good deal on LSD. She shares with her friend Willow making Willow have a bad trip.

LIMINAL

The Backrooms

Planned film adaption based on viral found-footage shorts by 17-year-old Kane Parsons.

Tree Limbs

A homogeneous structure of wind and light across tree branches in the South region of Isère

Nexus Laboratories

In a facility dedicated to the study of liminal spaces and the in-betweens of time, a mysterious flood triggers a cascade of eerie events and the sudden shutdown and abandonment of the laboratory.

The Lost Echo

In a liminal world where logic fades, a narcissistic narrator manipulates a lonely young woman trapped in a disturbing cycle of hatred and confusion. A poignant exploration of the inner struggle between power and powerlessness in a senseless world.

Running Fields

Three images of a person running in the void through the movement of speed and abstract images

Everything Follows

When a teen accidentally no-clips into the backrooms, she finds out that the only way to survive is to fend for herself...

Interchange

In 2006, a 20 year old animal and nature lover ventures into the woods with a camera and a sense of serenity, only to discover that he would emerge with his reality shaken, and that only his footage would be found.

De Wind

Running Fields II

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

World on a string

A ferry drifts along the Weser. Slow 16mm images of boats, railings, industrial shores, and cranes—scarred and clouded by the river itself, hand-processed with its water, marked by sediment and rust—dissolve into Annina Mossoni’s text: some people want the world on a string.

Running Fields III

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

If it Won’t Hold Water, it Surely Won’t Hold a Goat

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

Running Fields IV

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors