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A hungry Sylvester sets his sights on Tweety the ice skater.
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GRAMMY-nominated songwriter Alastair Moock’s new all ages record “Be A Pain” is a joyful, musical rallying cry to young (and old) leaders in these turbulent times. Drawing inspiration from heroes of the past and present, the title track’s video accompaniment illustrates how all movements of social justice and change stem from taking a stand at the individual level against what’s wrong.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.
RGBebop / Anthropology is an animated visual music improvisation in color and sound, made by hand with laser-cut stencils, pen, brush, ink, and paper.
Twenty years after his teenage crush on a football-mad schoolgirl, Gregory is back at his old school, teaching English. When two of his pupils uncover evil practices at a local factory they want their teacher to help them expose the wrong-doer, who happens to be Greg's old schoolfriend.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Killer Poop, he's Brown, he's loose, and he comes from you!
A father wants to marry his daughter to a rich man, but she's in love with someone else. She borrows a tramp's wooden leg, pretending that it's hers, and the disgusted suitor rejects her.
A short, one shot horror film about four young girls who play a game of 'Spotlight' in the forest.
Lasagna is a short film about one of the thousands of quirks that cats have that sometimes scare us. Saci, the owner, is watching TV in her room when Lasagna starts to stare at the door. Is there something behind her?
When a former co-host, Jake Everett, works his way back into the professional life of popular TV morning show host Naomi Spencer, the show's success skyrockets, but Naomi's personal life begins to fall apart.
Poetic film about the funfair, which concentrates on human conditions: The enchantment of children. The ease of the youth, full of expectations. Fleeting smiles. Devotion to the moment. Felicity... but also melancholy and vulnerability. The funfair as metaphor of life itself.
Story about a farmer.
They were the girl group that defined the 80s. After a near 30 year absence since their last performance, Sara, Keren and Siobhan reunited last year for what was remarkably Bananarama’s FIRST ever tour together – and what a success it was, with a sell-out run of 22 dates across the UK. Now fans are able to relive this spectacular with the release of their Eventim Hammersmith Apollo Show. Recorded on Sunday 29th November 2017, the recording captures the sensational renewed vigour of the band which saw them garner rave reviews from both devout audience members, and critics alike.
Won the Academy Award for the Best Documentary Short of 1954. The subject deals with the children at The Royal School for the Deaf in Margate, Kent. The hearing-handicapped children are shown painstakingly learning what words are through exercises and games, practicing lip-reading and finally speech. Richard Burton's calm and sometimes-poetic narration adds to the heartwarming cheerfulness and courage of the children. Preserved by the Academy Film Archive in partnership with British Film Institute in 2005.