Don't Hug Me I'm Scared

A disturbing puppet short exploring the concept of creativity.

BMFD

The all powerful goddess of feet showing off her very interesting, soft and thick assets to you in every way she can imagine, while the sounds of the rave club rage on. Loaded with tons of sole scrunching, big bunching, feet waving, heel wagging, meat jiggling, toe wiggling, pad waggling, arch curling, foot furling, body bouncing, fancy dancing, sweating wetness and much much more ensues in this exciting experimental generative ai visual album.

Street Musique

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

phoools (the film)

"Phoools" dives into an artist's obsession with the simplest of shapes - a few ovals rotated around a circle, universally agreed to be called a flower. As he starts seeing this pattern everywhere, from drain covers to textiles, his perception shifts. The line between observer and observed blurs, reality melts into imagination.

Mondo Mod

A look at the "mod" culture of the, visiting the Sunset Strip in West Hollywood, going from discotheques to dirt bike competitions, surfing, karate, go-carting, political protests and pot parties.

BAUS '93

1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.

Metamorphoses I

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

I just wanted to live

The freedom of a dream world.

SPACEBOY: na bagnie/idę stąd

Mamaicha, Pretty Much

A lover's dance weaves through a kaleidoscope of dreams.

A Boy on a Dock Blowing his Nose

Barry Doupé's lusty A Boy on a Dock Blowing His Nose features vaguely articulated, quasi-human doodles and Spirographs animated within a bizarre netherworld of its own humid imagination.

Fear and Loathing in Las Vegas

Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.

Two Pictures

Two strangers - Ruth, a burn unit nurse and Conrad, a shipyard worker - cross paths over a strange weekend in Seattle.

Dyspersjo

A woman goes to a party thrown by a person close to her. On the spot she realizes that nothing will remain the same again.

Monument

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

Soul to Squeeze

Jacob's got problems-deep, mental ones. Desperate for relief, he volunteers for a radical treatment to escape his tortured mind. But instead of peace, he finds himself trapped in a house with a tunnel to his subconscious. What begins as a path to healing becomes a harrowing descent where memory fractures, time distorts, and reality bends. A first-of-its-kind cinematic experience, Soul to Squeeze begins in a boxy 4:3 aspect ratio and ever so slowly widens to a full 2.35:1 by the final frame-mirroring Jacob's expanding perception as he risks everything for redemption. Visually daring and emotionally raw, Soul to Squeeze merges body with mind, taking audiences on a perilous journey through the psyche.

A Trip Elsewhere

During the Covid-19 pandemic, four anxious strangers take a record-breaking dose of LSD, catapulting them into a shared psychedelic dream where they must find solace and redemption before they can return to the real world.

att falla i cirklar

Dåv experiences a lucid dream about a better life.

Noche de Apuestas

Grotta

In 1907 Herman Hesse spent a few days mediating and fasting in a cave near Monte Verità. During these days he collected the visions and insights that went on to be very influential in his thinking and shaped some of the most important works of his literary career. The images and sounds of this film were shot there and are a homage to this cave and its possible invocations. Grotta is part of Fieldworks, an ongoing experiment with ambient video and radio frequencies.