Abdo Challenges Rambo

The play revolves around Abdo (Mohammad Najm), who works at Amani (Vivian) in a strange job, to prevent her from interviewing Shaukat (Mahmoud al-Qal'awi) her ex-husband who tries to exploit her and grab her money but does not know how to get away from him even though she knows well his bad intentions . (Abdu) agrees to a physical reward of half a million pounds to prevent her from making mistakes. Abdu tries to prevent her husband from stealing her money because of his strange job.

RETURN

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

Gay ?

"I'm gay, I'm a fag, I'm proud and I really love sex."

minicômios

1-2-3

“1-2-3” explores the harrowing tale of human trafficking in the country.

Afgan

A large number of drugs enter Kazakhstan from Afghanistan. To stop this, a special group must be created. The Ministry decides to send intelligence officer Oraz and two of his friends there, who participated in the war in Afghanistan and know the country well. The three veterans are joined by a young scout who despises the "old men". They will have to solve the drug problem, despite the conflict between two generations.

The Phantom Stockman

Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.

Return with Honor

Rowe McDonald is a headstrong missionary who has life after his mission all figured out. When a fatal car crash interrupts his plans, he is given sixty days to return to life and finish his work. Now he must choose whether to lead the life he planned, or reach beyond himself to change the lives of others. What will he do? Who will he touch? How will he prepare to leave it all behind?

Return

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

A

Ken spends his days getting ready for his new lead role and getting into the skin of his new character: A, a troubled young man who tries to commit suicide after getting rejected by the man he loves. But Ken has another fight to deal with and while his family and friends are supportive, his hope to win this battle is slowly dying. Will fiction bleed into real life?

Return

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Kairos Dirt and the Errant Vacuum

A series of collective dreams of a transworldly being visits a myriad of characters, revealing their subconscious desires.

Gilbert

The life and career of one of comedy's most inimitable modern voices, Mr. Gilbert Gottfried.

Grandma Lo-Fi

At the tender age of 70 years, Sigrídur Níelsdóttir starts to publish her music – directly from her living room. This modern Icelandic fairy tale is one of the most beautiful stories to be told about music. In seven years, Grandma Lo-Fi recorded 59 records and wrote more than 600 songs. The creative senior is a cult figure of the Icelandic music scene and thus it seems obvious to go through Grandma Lo-Fi’s life accompanied by artists such as Múm, Sin Fang and Mr Silla.

Return

1-2-3

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

The Night Before

The Night. She doesn't sleep. She calls. She tells. She saw a movie. This film tells the story of two nights. One night which is not seen in images, existing only in the words of The Clock, by Minnelli, an old Hollywood film. One night which is seen in images but about which we hardly know anything, those of a woman who talks about the Clock. So, in fact there are two films, two stories that come together at the same time, getting closer, and moving away, merging with what they have in common: desire, night and the city.

WWE Survivor Series Showdown '89

In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!

Asa

A short animation by Haruka Suzuki based on the poem "Asa" by Ikuko Shirakuma

Adam's Two Ribs

An engineer comes home from abroad to his waiting wife. After some time, his second wife, an Italian one, joins him. For a small town, such a triangle will turn out to be unacceptable, especially since the spouses live peacefully under one roof.