The Wrong Roommate

Following a break-up with her unfaithful fiancé, a young college professor agrees to live at her sister’s and watch over the home and her 17 year old niece. Unbeknownst to her, a gorgeous tenant, who is friendly to her young niece, is living in the guest house. But things aren't that simple as this mysterious stranger turns out to have a troubled past with dangerous consequences.

Six: Inside

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

RETURN

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

NULL

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

The United Monster Talent Agency

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Road

Arvind Chauhan and Lakhsmi are in love with each other. Lakhsmi's dad, a senior police inspector, hates Arvind, and so Arvind and Lakshmi decide to elope

123 Hugs

If hugs are tangible why am I hugging the void

Nullarbor

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

1-2-3

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Road

An elder brother who lived a life of crime but left to show his younger brother the lifestyle is not fit for anything. Years later his younger brother takes his footsteps in the life of drugs/crime, to a deal gone wrong his younger brother is murdered, his elder brother steps back into his crime ways and to find and avenge his younger brother's death.

The Comet

Stockholm 1965. A comet is heading towards earth. A man with a super-8 camera documents the city and its inhabitants the days before the end of the world.

Butterfly Smile

A woman who accidentally commits a hit-and-run has mysterious connections to the victim.

Manželství na úvěr

The story of the love life of sisters Lea and Ema Pohl and the comical escapades of Kristýna Žitná, Ema's classmate.

minicômios

John

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

1-2-3

“1-2-3” explores the harrowing tale of human trafficking in the country.