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After selling his fishing boat, a young single father retreats to his sister's house in an attempt to escape the trauma of his past once and for all.
Social & External
Jason Penrose
Isla Penrose
Amelia Penrose
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
Based on true events, the film is the meeting of two people from diametricaly opposite cultures at a typical Los Angeles bus stop. The more they interact, they realize one common factor brought them together as their lives intersect in transit.
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