Domingo de Chuva

It portrays a Sunday in a typically Brazilian home, where food serves as a link to family ties, guided by conversations of all kinds, ranging from memories to gossip.

Vivencial I

Short by Jomard Muniz de Britto

La Ursa

The Little Prince's Rap Against The Wicked Souls

A documentary that focuses on two young male inhabitants of Recife (statistically, the fourth worst city in the world to live in) who have both reacted strongly to their situation. One has become a drummer in a rap/rock band. The other has killed forty-four people and is now in jail. Both use the term "Wicked Souls" to describe their enemies.

Uma das Marias

Alto das Flores

Santa Rita de Sampa

Based on parts of Rita Lee’s autobiography “Uma Autobiografia”, the documentary explores Rita’s remaining legacy in her childhood home, which is currently the residency of missionaries. This film seeks to investigate the persistence of memories of spaces that no longer exist.

Piracema - uma carta de amor ao teatro

Drag Queens em Cena: A Expressão de Almas Artísticas

No Meio de Campo

Pesado: Que som é esse que vem de Pernambuco?

Documentary about the heavy rock scene in Pernambuco.

A Guerra do Pente

Curitiba, PR, December 8, 1959; at around five o'clock in the afternoon, Military Police sub-lieutenant Haroldo Tavares enters the Bazar Centenário, Praça Tiradentes, to buy a comb. He chooses one, finds it expensive and demands an invoice. The store owner, Amhad Najar, argues and they end up fighting. The warrant officer leaves the fight with a fractured leg. Outside the store, the people who were watching the fight and the fight rebel, destroy the merchant's store and go to other stores in the square. The police cannot control the situation. Late at night, a truce: the population goes to sleep, gathering strength for the following days, when the situation becomes unsustainable. The police withdraw from the streets, the Army begins to act and, on the tenth, puts the tanks on the streets.

Black Out - A História Apagada no Palco da Arte

Fragmentos

Crenças no ensino

Recife no Centenário da Confederação do Equador

Outros Abrigos

Ave Maria ou Mãe dos Sertanejos

EVERYTHING MUST GO

In a city consumed by gentrification, artist João Fiadeiro and the company he keeps postpone and embrace the end at the house they inhabited for the last decades. By vacating, they occupy; by disbanding, they stay together; by celebrating, they reclaim a 30-year-old project from disaffected national politics. What remains when everything must go? How does one keep on?

Resgatando a qualidade