A mother and a daughter in a bond beyond time, waiting to move forward among absurd dialogue, injections, plants and e-mails.
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Rena is on the threshold of adulthood. For her and her mother, the Internet is a form of escape from their humdrum everyday lives. In the world of talent shows, Facebook and YouTube, the keyboard seems to be a gateway to fame and love. Yet the border between fantasy and reality is quickly obliterated.
Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.
Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
When Jennifer Pan calls 911 to report that her parents have been shot, she becomes the primary focus of a captivating criminal case.
When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.
Follows filmmaker and actress, Maryam Zaree, on her quest to find out the violent circumstances surrounding her birth inside one of the most notorious political prisons in the world.
Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.
Kelly Finger-McNeela was diagnosed with Multiple Sclerosis her freshman year of high school. The only thing on her mind was living a "normal" life. Her disease threatened to make that impossible.
A grandmother, mother, and daughter quarantine together in a Tribeca apartment as they laugh about life over wine.
A deeply moving portrait of an architect tested by the impossible choices between career, country and motherhood
A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.
Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.
Intoxicants offered Pinja a connection to her mother. What will their lives be based on when they both decide to get sober?
Pearl Randall, a 66-year-old widow, announces that she is planning to remarry, but her three grown children express conflicting emotions. Daughter Terri captures on tape the family's attempts to come to grips with Pearl's new romance.
"The Mother Road," is a fun and touching one-hour documentary that is a part travelogue, part human interest, and part rock n' roll road trip -- all wrapped up in a mother-daughter experience taken by award0winning documentary filmmaker and journalist Lauren Cardillo and her mother. The documentary explores the heartwarming relationship between our mother-daughter main characters and those they meet on the road.
In Our Mothers' Gardens celebrates the strength and resiliency of Black women and Black families through the complex, and often times humorous, relationship between mothers and daughters.
Watch what happens when two beautiful bad girls with no option are put in a desperate situation.
18 directors, 18 novels, 18 short stories about Moscow...
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Yamate Kiichirō published many literary masterpieces, including "Yumesuke and the Gift of 1000 Ryō". An adaption of this masterpiece of a novel that depicts the activities of Yumesuke, a young and kind-hearted young man who has strong skills but hates fighting, will be staged in the Takarazuka Revue as an exciting period drama.
Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.
A mad stage hypnotist Dr. John Basso reverts his beautiful assistant Doreena into the physical form of a prehistoric sea monster she was in a past life. Using this power he attempts to find fame and fortune by predicting a series of murders and then using the monster to carry them out.
When Seattle magazine writer Samantha Hart is sent home to write an article about the wedding destination of Hawthorne Vineyards, she discovers the ex who broke her heart not only runs the vineyard, but he’s about to get married there.
In the distant future, a mysterious floating object appears suddenly in the center of Tokyo. The top secret mission unit Alta Mira Agency or AA is comissioned by the Defense Agency to deal with this mysterious invader. In charge of the robot training is Funagai Otsuya. He trains five special girls to use the Battle Soles to push back the enemy even at the cost of their lives.
Woody gets a job as an alligator bagger, but the alligator has similar plans for the woodpecker.
The TARDIS materialises in Earth's future on a space beacon just before it is attacked by pirates. The travellers find themselves trapped in a sealed section of the beacon. It is blown apart and flown to where the pirates will plunder it of the precious mineral argonite. They witness a conflict between the pirates and the Interstellar Space Corps, led by General Hermack and Major Warne. The ISC are convinced that the pirates' mastermind is an innocent yet eccentric space mining pioneer named Milo Clancey, while their true leader is a man named Caven. Caven has a secret base on the planet Ta. He is assisted by Madeleine Issigri, daughter of Clancey's ex-partner Dom, who - unknown to her - is now his captive. When Madeleine discovers Caven's full treachery, she helps to bring him to justice. The time travellers are given a lift back to the TARDIS by Clancey in his rickety old ship, the LIZ 79.
Borders guard are trying to catch a group of smugglers using the cruise ship to move a contraband.
Carmen, an independent and modern woman, goes to dinner at her sister Ana's house, a married woman subject to all gender structures. Mateo, Ana's husband, intervenes at dinner and continually clashes with Carmen's way of life.
Twenty-Five miles from town, a million miles from mainstream society, a loose-knit community of eco-pioneers, teenage runaways, war veterans and drop-outs, live on the fringe and off the grid, struggling to survive with little food, less water and no electricity, as they cling to their unique vision of the American dream.
A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.
In a surreal small‑town version of 2007 Texas, a young graffiti artist lands in jail and is coerced into spying on his cousin—suspected by an unhinged cop of dealing nuclear weapons. What follows is a frenetic, gross‑humored ride through conspiracy, over-the-top characters, and chaotic counterculture.
